「母語的邊界」香港國際詩歌之夜十五週年|小池昌代
永远不来的公交车
[日] 小池昌代
田原、刘沐旸 译
清早,我等公交车
杜鹃花正在通达
齐营公交车老也不来
三个东说念主、四个东说念主,等车的东说念主在越来越多
五月的公交车老也不来
东说念主们齐把脖子伸往一个标的
四个东说念主、五个东说念主、八点二特地
可算来了
从大桥对面,一派绿色
渐渐延迟开来,形成公交车驶来
减轻一下因恭候而睁累的眼睛
五个东说念主,六个东说念主,来到车站
六个东说念主,七个东说念主,折腰上车
上了车我才选藏到
恭候的事情总会来到,这事儿确凿奇妙
恭候不来的东西却是我的使命
没赶上车的女东说念主
还一个东说念主在车站等着吧
等着公交车从大桥对面渐渐爬升
那是一种近似但愿的东西
──车会来的
沾着土壤的裙子被风吹起
不雅望间阳光半明半暗
城市灰蒙蒙的烟囱
今天早上也伸向天外
咱们在那处被拆散
温驯地
被运往,充满但愿的下一站
The Bus that May Never Come
Masayo Koike
In the morning, I wait for the bus.
Azaleas are blooming.
The Toei Bus is taking so long to come.
Three, four, and more people begin to wait,
In May the bus takes so long to come.
We crane our necks towards the same far direction,
Four of us, then five, it’s eight twenty.
Then at last we’ll see a little piece
of green over the bridge, growing bigger and bigger
to turn into one whole bus driving towards us.
Eyes tightened from waiting loosen up.
Five, six, gather around the bus-stop,
Six, seven, get on the bus, heads bent.
It’s a wonder something you’ve waited for actually comes to you―
Waiting for something that never comes is my trade.
After getting on the bus, you’ll notice
a woman, who didn’t move and missed the bus,
is still at the bus-stop, waiting.
What might rise from beyond the bridge
had become, some time, like hope.
Her mud-splattered skirt billows in the wind.
It gets cloudy and sunny while busses pass by,
and this morning again in the dusty town
chimneys reaching up the sky:
Torn from the place,
toward the next bright bus-stop
we’ll be
meekly
carried away.
Translated from Japanese by Taeko Kakihara
淘米水
[日] 小池昌代
田原、刘沐旸 译
东说念主就算死的时候
他说,也得打理得六根清净才行
用剪刀,唰唰唰
忙勤勉碌地
给东说念主剪头发、刮脸
(在中国连耳垂齐要刮到)
就这么活了一百零二岁的
巷子里的剃头师父
耳朵里长丛林的东说念主龟龄
况兼还一直站着干活儿
“我认得他。齐给拍成电影了,请哪个演员来演的。
我第一次见到他的时候,他跟我说,今天过寿辰,统共吃个晚饭吧。
当时候他才九十八。当今东说念主没了呀。我想他。”
山里的小孩儿背着星星
花的技艺属于花
咱们在远隔大地的方舟之丘三十七楼
听无名的吉他手弹奏阿尔贝尼斯
我往往更换剃头店
是以抵挡稳
让东说念主生稳定的诀要是,总去归拢家剃头店
“日间上班,到了傍晚就想喝酒。想闻绅士身上的滋味,是以跑去市中心。就算莫得一个东说念主能陪我喝酒,然则有音乐。就为了这种时候,才需要阿尔贝尼斯。有使命真好。”
她精神恍惚地说
洗去职业淤水的音乐
毋庸赚那么多,差未几保管生涯,
碎裂的使命就行,就像巷子里的剃头匠。
东说念主赚了大钱就变了性子
中国当今有很多东说念主因此而灾难呢
两东说念主一脸精采看着窗外
薄暮时刻灰褐色的云,一边被染成橘色一边挪动
就像是屏幕保护情势,这么想着的我
从坏掉的天地飞船里被抛进天地的昏黑中
还想着女性宇航员的事
在想考巷子剃头师父的同期 我
我不管昨天如故今天每天齐在淘米
直到淘米水变解析的这段技艺
我把它从电饭锅内胆的底部漏掉,漏掉了
捉萤火虫的夜晚的诡秘
草的技艺属于草
如故不想
领有任何东西 包括话语
于烧毁回首的无重力天下
联想成为天地尘埃的我方
这是我每天晚上的乐趣
与其说是乐趣不如说是锻真金不怕火
飘浮着的我便捷是我方的墓标
耐不得孤立,走出草庵环视四周,到处齐是相同冷漠的秋日薄暮1
我走出地球,环视四周
连孑然这一词汇齐化成了灰
终会归于微尘,还有我
往常我弄坏了鸟巢
确凿对不住
废止的公交车路子
海中央石头的误解
往常我往蚂蚁洞里灌过水
往常我把钢琴扔下了断崖,还有东说念主
仅仅这些还无法波及谷底
虽说天地好听不到声息
即使如斯,音乐也会在操心中震动,还有阿尔贝尼斯
如故不必再回应造访问卷
也毋庸再提交缺席明信片的天下
这篇昏黑到处齐是墨汁的气息
巷子里的剃头师父
那天
吃了热烘烘的豆腐菜就死了
吃剩的盘子还冒着热气呢
注:
1. 出自《百东说念主一首》,作家为良暹法师。
Starchy Water
Masayo Koike
even when you die
you should keep yourself neat, he would say
snip, snip, go his scissors
busily clipping hair
and shaving faces not his own
(in China they shave people down to their earlobes)
and lived to the age of one hundred and two
the barber in Hutong
those who grow a forest in their ears live long
and his was a standing job to the very end
I knew him, he was in a movie, played by an actor.
When I first met him, he said let’s have dinner together, it’s my birthday.
He was only ninety-eight then. He’s dead now. I miss him.
the babe in the hills carries a star on its back
flower time belongs to the flower
the two of us
were on the thirty-seventh floor in Ark Hills, a far cry from down-to-earthness
listening to an unknown guitarist playing Albéniz
I change my hairdresser from time to time
hence my instability
the secret of leading a stable life is to stick to one hairdresser
In the evening after work I feel like a drink. I miss the smell of human beings and go downtown. When there is no one I can share a drink with, still there is music. Then, Albéniz is the man for you. It’s good to have a job.
so she says in a sing-song voice
music washes away the dregs of labour
I don’t need to make a lot, just enough to live on,
a small job, like the barber in Hutong.
making too much money warps you
today in China many people are suffering because of this
soberly, we look out of the window
the evening clouds, grey-brown, glow orange and change shape
like a screensaver, I say to myself, and
think of the astronaut, a woman
flung into dark space from a broken-down spacecraft
thinking of the barber of Hutong, I
wash rice every day, yesterday and today
and the time it takes for the starchy water to clear
I spill from the edge of the rice-cooker bowl, drip after drip
the secret of the night of the firefly hunt
grass time belongs to the grass
I no longer wish
to own anything, not even words
I imagine myself a speck of dust in space
in a weightless world, having renounced return
this is what I enjoy doing every night
a practising rather than a pleasure
my floating self my gravestone
‘Forlorn, I go outside and gaze around / Everywhere the same loneliness, autumn evening’
leaving Earth, I gaze around and see
the word ‘loneliness’ turn to dust
and then to atoms of dust, same as me
once upon a time I destroyed a bird’s nest
once upon a time I poured water into an ants’ dwelling
once upon a time I dumped a piano off a cliff, and a human being, too
only the last hasn’t struck bottom yet
a discontinued bus route
a distortion in a stone far out at sea
they say you cannot hear music in space
but still music flows through the memory, and Albéniz
a world where you no longer need to answer questionnaires
or respond to RSVP postcards
the darkness, all around, smells of Chinese ink
that day
the barber in Hutong
died after eating a dish of tofu, hot from the pan
I remember the steam still rising from his half-finished plate
Translated from Japanese by Yoko Abe
译者简介:田原,旅日诗东说念主、日本文体博士、翻译家。1965年生于河南漯河,90年代初赴日留学,现任教于日本城西外洋大学,并担任香港诗歌节基金会学术参谋人。出书有汉语诗集《梦的标点──田原年代诗选》、日语诗集《田原诗选》《梦蛇》《石头的操心》10余册。先后得回过汉文、日文诗歌奖。主编有日文版《谷川俊太郎诗选集》(六卷),翻译出书有《谷川俊太郎诗歌总集》(22册)、《番邦东说念主──辻井乔诗选》《让咱们不时千里默的旅行──高桥睦郎诗选》《金子好意思铃全集》《松尾芭蕉俳句选》《东说念主间失格》等。出书有日语文论集《谷川俊太郎论》(岩波书店)等。作品先后被翻译成英、德、西班牙、法、意、土耳其、阿拉伯、芬兰、葡萄牙语等十多种话语,出书有英语、韩语、蒙古语版诗选集。
译者简介:刘沐旸,译者,就读于城西外洋大学东说念主文科学量度科,主要量度标的为日本战后女性当代诗。2017年获第一届留学生当代诗归路奖佳作奖。
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